Pearl Jam – Rearviewmirror (greatest Hits 1991-2003)

Pearl Jam – Rearviewmirror (Greatest Hits 1991-2003)
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Pearl Jam – Rearviewmirror (Greatest Hits 1991-2003)

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Release Date: November 16, 2004

Tracklist:
1. Once (2004 Remix)
2. Alive (2004 Remix)
3. Even Flow
4. Jeremy
5. State Of Love And Trust
6. Animal
7. Go
8. Dissident
9. Rearviewmirror
10. Spin The Black Circle
11. Corduroy
12. Not For You
13. I Got ~love~
14. Hail, Hail
15. Do The Evolution
16. Save You
17. Black (2004 Remix)
18. Breath
19. daughter
20. Elderly Woman Behind The Counter in a Small Town
21. Immortality
22 Better Man
23. Nothingman
24. Who You Are
25. Off He Goes
26. Given To Fly
27. Wishlist
28. Last Kiss
29. Nothing As It Seems
30. Light Years
31. I Am Mine
32. Man Of The Hour
33. Yellow Ledbetter

Pearl Jam rose from the ashes of Mother Love Bone to become the most popular American rock & roll band of the ’90s. After vocalist Andrew Wood overdosed on heroin in 1990, guitarist Stone Gossard and bassist Jeff Ament assembled a new band, bringing in Mike McCready on lead guitar and recording a demo with Soundgarden’s Matt Cameron on drums. Thanks to future Pearl Jam drummer Jack Irons, the demo found its way to a 25-year-old San Diego surfer named Eddie Vedder, who overdubbed vocals and original lyrics and was subsequently invited to join the band (then christened Mookie Blaylock after the NBA player). Dave Krusen was hired as the full-time drummer shortly thereafter, completing the original lineup. Renaming themselves Pearl Jam, the band recorded their debut album, Ten, in the beginning of 1991, although it wasn’t released until August; in the meantime, the majority of the band appeared on the Andrew Wood tribute project Temple of the Dog. Krusen left the band shortly after the release of Ten; he was replaced by Dave Abbruzzese.

Ten didn’t begin selling in significant numbers until early 1992, after Nirvana made mainstream rock radio receptive to alternative rock acts. Soon, Pearl Jam outsold Nirvana, which wasn’t surprising — Pearl Jam fused the riff-heavy stadium rock of the ’70s with the grit and anger of ’80s post-punk, without ever neglecting hooks and choruses; “Jeremy,” “Evenflow,” and “Alive” fit perfectly onto album rock radio stations looking for new blood.

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